This highly influential collection of anthologized texts is part of the New Museum’s Documentary Sources in Art series. It focuses on the end of the modernist movement and considers the rising prominence of postmodern thought and criticism in light of contemporary art developments in film, video, photography, and new media. With key texts by Douglas Crimp, Hal Foster, Fredric Jameson, Martha Rosler, Michel Foucault, Rosalind Krauss, Benjamin Buchloh, and many others.